“I suppose it’s because there’s been some degree of oppression of women throughout history and that doesn’t seem to be going away,” Minghella suggests. The continued relevance of Atwood’s story, which has already been adapted into a film, ballet and opera, isn’t lost on Minghella, who costars as Nick, a complex romantic character of dubious morality. The series, which also stars Elizabeth Moss and premieres on Hulu April 26, depicts a dystopian world of the future in which women are imprisoned and forced to procreate for the infertile wives of the ruling male elite. (In a way, it was Damon who helped Minghella expand the range of his career during the filming of Ripley, in 1998, the actor gifted his director’s son with a Super-8 video camera as a 13 th birthday present.)īefore he makes his directorial debut, however, Minghella will first take the small screen as a star of “The Handmaid’s Tale,” a television adaptation of Margaret Atwood’s prescient 1985 novel. “There is no fame, I’m serious,” Minghella states emphatically, before pausing to add, “Well, it’s very manageable.” Having witnessed firsthand the way actor-friends such as Jude Law and Matt Damon have had to contend with intrusive paparazzi, he hopes to keep it that way, even in the face of two forthcoming high profile, potentially career-changing projects that put him in front of, and behind, the camera. Their mother is accomplished choreographer Carolyn Choa.
Ripley, and his sister Hannah is the president of TriStar Pictures. Yet despite significant roles in Oscar-winning prestige films such as Syriana and The Social Network, and a recurring part on the buzzy sitcom “The Mindy Project,” the London-born, Los Angeles-based actor continues to enjoy relative anonymity, regardless of having been a popular subject of photographers (thanks to his four-year relationship with actress Kate Mara) and his notable lineage: Minghella’s late father Anthony was a cinematic great who directed many award-winning films, including The English Patient and The Talented Mr. Since making his big screen debut three years later, in 2005, Minghella’s been in constant demand. “That was the singular thing that got me interested.” “That play changed my life in so, so many ways,” he remembers. “I really didn’t have any interest in being an actor at all,” Minghella admits, until one night in 2002 when he caught Jake Gyllenhaal in a performance of This Is Our Youth, Kenneth Lonergan’s lacerating play about disaffected wealthy teens. Camera-friendly features, including formidable untended brows (which he jokes he swiped from actress Lily Collins) and expressive dark brown eyes, have served him well thus far in his acting career-a vocation he initially hadn’t intended to pursue. panoramic views, all eyes are inevitably drawn to the 31-year-old actor.
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(Or so he says.) And yet, as he stands in the living room of a midcentury Los Angeles home before floor-to-ceiling windows that offer one of those only-in-L.A.
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